Semantics of war

Robert Fisk, always worth reading. Check out the rest of the article.

American television, meanwhile, continues to present war as a bloodless sandpit in which the horrors of conflict - the mutilated bodies of the victims of aerial bombing, torn apart in the desert by wild dogs - are kept off the screen. Editors in New York and London make sure that viewers' "sensitivities" don't suffer, that we don't indulge in the "pornography" of death (which is exactly what war is) or "dishonor" the dead whom we have just killed.

Our prudish video coverage makes war easier to support, and journalists long ago became complicit with governments in making conflict and death more acceptable to viewers. Television journalism has thus become a lethal adjunct to war.

Back in the old days, we used to believe - did we not? - that journalists should "tell it how it is." Read the great journalism of World War II and you'll see what I mean. The Ed Murrows and Richard Dimblebys, the Howard K. Smiths and Alan Moorheads didn't mince their words or change their descriptions or run mealy-mouthed from the truth because listeners or readers didn't want to know or preferred a different version.

So let's call a colony a colony, let's call occupation what it is, let's call a wall a wall. And maybe express the reality of war by showing that it represents not, primarily, victory or defeat, but the total failure of the human spirit.